Profil użytkownika justin-chang
Gravity (2013)
The director’s long-overdue follow-up to “Children of Men” is at once a nervy experiment in blockbuster minimalism and a film of robust movie-movie thrills, restoring a sense of wonder, t...
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Enough Said (2013)
Enough Said may be her cleanest, most polished and broadly funny effort to date; its emotional generosity is undeniable, but so is its tendency to smooth over some of the hard, brittle ed...
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Jayne Mansfield's Car (2012)
A fine cast can only do so much with the script’s pileup of generational conflict and long-winded introspection, resulting in a willfully out-of-step picture.
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Blue Caprice (2013)
Precision-honed performances and a nonsensationalistic approach distinguish this impressive first feature from French helmer Alexandre Moors, which avoids pat explanations as it offers a ...
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Adore (2013)
A ludicrous melodrama that begs to be handled as an over-the-top sex farce is instead treated with the solemnity of a wake, albeit one with a rather lenient dress code.
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Go Grandriders (2012)
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Hua Tien-hau’s sentimental, conventionally inspiring film offers good-natured insights on the importance — and the difficulty — of living life to the fullest at any age.
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The Mortal Instruments: City of Bones (2013)
A ludicrous, borderline-nonsensical supernatural concoction with a slightly redeeming sense of its own silliness.
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Kick-Ass 2 (2013)
As diverting as this action-packed caper often is, it feels not just weightless but emotionally and morally stunted whenever it veers into grown-up dramatic territory.
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Planes (2013)
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Diverting in bits and pieces, but absent the heart, soul and ingenuity one associates with the best of Disney animation, the endlessly merchandisable picture could very well soar at the b...
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We're the Millers (2013)
Even a premise this stupidly contrived stands a fair chance of working if there are a few decent yuks to be had, but absent any such inspiration, We’re the Millers falls back on the sort ...
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